SOME SHAKESPEAREAN THEMES AND AN APPROACH TO HAMLET |
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... working under the conditions of his rôle as a provider of stage plays , and to understand the nature of his thinking it is necessary to understand the nature of his art , which fuses ' thought ' within a wider imaginative vision .
... working under the conditions of his rôle as a provider of stage plays , and to understand the nature of his thinking it is necessary to understand the nature of his art , which fuses ' thought ' within a wider imaginative vision .
Pagina 49
... imaginative impact of a play that is more lively , more complex , and more far - reaching in its implications than I have so far been able to suggest . The tone of the play is sombre ; but it could not possibly be called pessimistic ...
... imaginative impact of a play that is more lively , more complex , and more far - reaching in its implications than I have so far been able to suggest . The tone of the play is sombre ; but it could not possibly be called pessimistic ...
Pagina 119
How is it that in Macbeth ( to be specific ) essential distinctions of good and evil , belonging to the inner world , can be defined in imagery of the outer world of nature , defined moreover in such a way that the imaginative ...
How is it that in Macbeth ( to be specific ) essential distinctions of good and evil , belonging to the inner world , can be defined in imagery of the outer world of nature , defined moreover in such a way that the imaginative ...
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Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
Drept de autor | |
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Alte ediții - Afișează-le pe toate
Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action Antony Antony and Cleopatra Apemantus appearance attitudes aware C. S. Lewis centre character Cleopatra concern consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay essential evil evoked experience explicit F. R. Leavis fact Falstaff feel Fool force Ghost give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence judgment kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman meaning mind moral murder nature ness night Ophelia Othello passage passion pattern philosophy phrase play play's poet poetic poetry political present public world question reality reason relation scene seems sense Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee themes things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural values whole Wilson Knight words