SOME SHAKESPEAREAN THEMES AND AN APPROACH TO HAMLET1960 |
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... imaginative vision . In Chapter One I glance at some significant shifts of direction in Shakespeare criticism of the last thirty years , in order to make plain the assumptions on which I have proceeded in trying to elicit some of the ...
... imaginative vision . In Chapter One I glance at some significant shifts of direction in Shakespeare criticism of the last thirty years , in order to make plain the assumptions on which I have proceeded in trying to elicit some of the ...
Pagina 49
... imaginative impact of a play that is more lively , more complex , and more far - reaching in its implications than I have so far been able to suggest . The tone of the play is sombre ; but it could not possibly be called pessimistic or ...
... imaginative impact of a play that is more lively , more complex , and more far - reaching in its implications than I have so far been able to suggest . The tone of the play is sombre ; but it could not possibly be called pessimistic or ...
Pagina 119
... imaginative correspondence goes far beyond the use of selected analogies and implies a symbolic equivalence — indeed a relationship between what is ' natural ' for man and what is ' natural ' in the simplest and widest sense of the word ...
... imaginative correspondence goes far beyond the use of selected analogies and implies a symbolic equivalence — indeed a relationship between what is ' natural ' for man and what is ' natural ' in the simplest and widest sense of the word ...
Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
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Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action Antony Antony and Cleopatra Apemantus appearance attitudes aware C. S. Lewis centre character Cleopatra concern consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay essential evil evoked experience explicit F. R. Leavis fact Falstaff feel Fool force Ghost give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence judgment kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman meaning mind moral murder nature ness night Ophelia Othello passage passion pattern philosophy phrase play play's poet poetic poetry political present public world question reality reason relation scene seems sense Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee themes things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural values whole Wilson Knight words