SOME SHAKESPEAREAN THEMES AND AN APPROACH TO HAMLET1960 |
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Pagina 5
... imagery helps to create ' mood ' , is all that is allowed to the imagery of a Shakespeare play : to attempt to find more in it is to stray into ' the wasteland of paradox , ambiguity , and esoteric symbolism . ' If we feel that ...
... imagery helps to create ' mood ' , is all that is allowed to the imagery of a Shakespeare play : to attempt to find more in it is to stray into ' the wasteland of paradox , ambiguity , and esoteric symbolism . ' If we feel that ...
Pagina 9
... imagery ( with rapidly changing metaphors completely superseding the similes and drawn - out figures to be found in the earlier plays ) , the surprising juxtapositions , the over - riding of grammar , and the shifts and overlapping of ...
... imagery ( with rapidly changing metaphors completely superseding the similes and drawn - out figures to be found in the earlier plays ) , the surprising juxtapositions , the over - riding of grammar , and the shifts and overlapping of ...
Pagina 66
... imagery , which conveys simultaneously an impression of intense feeling and an underlying lack of content ' . Of the passage just quoted he says , " The emotions . . . are intense enough , but only in the palate and the senses ; they ...
... imagery , which conveys simultaneously an impression of intense feeling and an underlying lack of content ' . Of the passage just quoted he says , " The emotions . . . are intense enough , but only in the palate and the senses ; they ...
Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
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Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action Antony Antony and Cleopatra Apemantus appearance attitudes aware C. S. Lewis centre character Cleopatra concern consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay essential evil evoked experience explicit F. R. Leavis fact Falstaff feel Fool force Ghost give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence judgment kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman meaning mind moral murder nature ness night Ophelia Othello passage passion pattern philosophy phrase play play's poet poetic poetry political present public world question reality reason relation scene seems sense Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee themes things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural values whole Wilson Knight words