SOME SHAKESPEAREAN THEMES AND AN APPROACH TO HAMLET |
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Pagina 31
honour ' . Shakespeare does not say that honour is unreal , a mere abstract word with which men hide reality from themselves : he simply points out — that is , the play has the effect of pointing out that whether honour means much or ...
honour ' . Shakespeare does not say that honour is unreal , a mere abstract word with which men hide reality from themselves : he simply points out — that is , the play has the effect of pointing out that whether honour means much or ...
Pagina 33
66 ) —are , after all , part of the setting in which the nobles expect to purchase honour . It is of course from Falstaff , whose obvious comic function combines with a more serious rôle , that the main explicit criticism comes .
66 ) —are , after all , part of the setting in which the nobles expect to purchase honour . It is of course from Falstaff , whose obvious comic function combines with a more serious rôle , that the main explicit criticism comes .
Pagina 225
Rightly to be great Is not to stir without great argument , But greatly to find quarrel in a straw When honour's at the stake . Professor Dover Wilson paraphrases the last sentence : ' Fighting for trifles is mere pugnacity ...
Rightly to be great Is not to stir without great argument , But greatly to find quarrel in a straw When honour's at the stake . Professor Dover Wilson paraphrases the last sentence : ' Fighting for trifles is mere pugnacity ...
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Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
Drept de autor | |
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Alte ediții - Afișează-le pe toate
Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action Antony Antony and Cleopatra Apemantus appearance attitudes aware C. S. Lewis centre character Cleopatra concern consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay essential evil evoked experience explicit F. R. Leavis fact Falstaff feel Fool force Ghost give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence judgment kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman meaning mind moral murder nature ness night Ophelia Othello passage passion pattern philosophy phrase play play's poet poetic poetry political present public world question reality reason relation scene seems sense Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee themes things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural values whole Wilson Knight words