SOME SHAKESPEAREAN THEMES AND AN APPROACH TO HAMLET1960 |
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Pagina 31
L.C. KNIGHTS. ' honour ' . Shakespeare does not say that honour is unreal , a mere abstract word with which men hide reality from themselves : he simply points out that is , the play has the effect of pointing out that whether honour ...
L.C. KNIGHTS. ' honour ' . Shakespeare does not say that honour is unreal , a mere abstract word with which men hide reality from themselves : he simply points out that is , the play has the effect of pointing out that whether honour ...
Pagina 33
... honour ' , he does represent the life of the body , intent on its own preserva- tion and the satisfaction of its instincts , and his philosophy is summed up in the famous soliloquy before Shrewsbury . Well , ' tis no matter ; honour ...
... honour ' , he does represent the life of the body , intent on its own preserva- tion and the satisfaction of its instincts , and his philosophy is summed up in the famous soliloquy before Shrewsbury . Well , ' tis no matter ; honour ...
Pagina 225
... honour's at the stake . Professor Dover Wilson paraphrases the last sentence : ' Fighting for trifles is mere pugnacity , not greatness ; but it is greatness to fight instantly and for a trifle when honour is at stake ' . Right enough ...
... honour's at the stake . Professor Dover Wilson paraphrases the last sentence : ' Fighting for trifles is mere pugnacity , not greatness ; but it is greatness to fight instantly and for a trifle when honour is at stake ' . Right enough ...
Cuprins
On Some Contemporary Trends in Shakespeare | 3 |
First Observations | 16 |
The Sonnets and King Henry | 35 |
Drept de autor | |
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Alte ediții - Afișează-le pe toate
Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action Antony Antony and Cleopatra Apemantus appearance attitudes aware C. S. Lewis centre character Cleopatra concern consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay essential evil evoked experience explicit F. R. Leavis fact Falstaff feel Fool force Ghost give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence irony judgment kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman meaning mind moral murder nature ness night Ophelia Othello passage passion philosophy phrase play play's poet poetic poetry political present public world question reality reason relation scene seems sense Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee themes things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural values whole Wilson Knight words