SOME SHAKESPEAREAN THEMES AND AN APPROACH TO HAMLET1960 |
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Pagina 31
... heaven , methinks it were an easy leap , To pluck bright honour from the pale - faced moon , Or dive into the bottom of the deep , Where fathom - line could never touch the ground , And pluck up drowned honour by the locks ; So he that ...
... heaven , methinks it were an easy leap , To pluck bright honour from the pale - faced moon , Or dive into the bottom of the deep , Where fathom - line could never touch the ground , And pluck up drowned honour by the locks ; So he that ...
Pagina 69
... spacious breadth of this division Admits no orifice for a point as subtle As Ariachne's broken woof to enter . Instance , O instance ! strong as Pluto's gates ; Cressid is mine , tied with the bonds of heaven 69 APPEARANCE AND REALITY.
... spacious breadth of this division Admits no orifice for a point as subtle As Ariachne's broken woof to enter . Instance , O instance ! strong as Pluto's gates ; Cressid is mine , tied with the bonds of heaven 69 APPEARANCE AND REALITY.
Pagina 70
... heaven itself ; The bonds of heaven are slipp'd , dissolv'd , and loos'd ; And with another knot , five - finger - tied , The fractions of her faith , orts of her love , The fragments , scraps , the bits and greasy reliques Of her o ...
... heaven itself ; The bonds of heaven are slipp'd , dissolv'd , and loos'd ; And with another knot , five - finger - tied , The fractions of her faith , orts of her love , The fragments , scraps , the bits and greasy reliques Of her o ...
Cuprins
On Some Contemporary Trends in Shakespeare | 3 |
First Observations | 16 |
The Sonnets and King Henry | 35 |
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Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action Antony Antony and Cleopatra Apemantus appearance attitudes aware C. S. Lewis centre character Cleopatra concern consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay essential evil evoked experience explicit F. R. Leavis fact Falstaff feel Fool force Ghost give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence irony judgment kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman meaning mind moral murder nature ness night Ophelia Othello passage passion philosophy phrase play play's poet poetic poetry political present public world question reality reason relation scene seems sense Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee themes things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural values whole Wilson Knight words