SOME SHAKESPEAREAN THEMES AND AN APPROACH TO HAMLET1960 |
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Pagina 93
L.C. KNIGHTS. O Regan Goneril ! Your old kind father , whose frank heart gave all ... But ' that way madness lies ' ( III . iv . 16-21 ) ; the sore and angry spot in his consciousness is precisely there , for whatever his hand gave , his ...
L.C. KNIGHTS. O Regan Goneril ! Your old kind father , whose frank heart gave all ... But ' that way madness lies ' ( III . iv . 16-21 ) ; the sore and angry spot in his consciousness is precisely there , for whatever his hand gave , his ...
Pagina 111
... heart , the over - riding of grammar ( " My thought , whose murder yet is but fantastical ' ) as thought is revealed in the very process of formation , and so on . But the poetry makes further claims , and if we attend to them we find ...
... heart , the over - riding of grammar ( " My thought , whose murder yet is but fantastical ' ) as thought is revealed in the very process of formation , and so on . But the poetry makes further claims , and if we attend to them we find ...
Pagina 250
... heart his wits begin to turn ' . " The real horror lies not in the fact that Goneril and Regan can cause the death of their father , but that they can apparently destroy his human integrity ' ( The Fool , pp . 261-2 ) . As both Heilman ...
... heart his wits begin to turn ' . " The real horror lies not in the fact that Goneril and Regan can cause the death of their father , but that they can apparently destroy his human integrity ' ( The Fool , pp . 261-2 ) . As both Heilman ...
Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
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Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action Antony Antony and Cleopatra Apemantus appearance attitudes aware C. S. Lewis centre character Cleopatra concern consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay essential evil evoked experience explicit F. R. Leavis fact Falstaff feel Fool force Ghost give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence judgment kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman meaning mind moral murder nature ness night Ophelia Othello passage passion pattern philosophy phrase play play's poet poetic poetry political present public world question reality reason relation scene seems sense Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee themes things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural values whole Wilson Knight words