SOME SHAKESPEAREAN THEMES AND AN APPROACH TO HAMLET1960 |
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Pagina 27
... Hath drawn him from his own determined aid , From a resolved and honourable war , To a most base and vile - concluded And why rail I on this Commodity ? But for because he hath not woo'd me yet . Since kings break faith upon commodity ...
... Hath drawn him from his own determined aid , From a resolved and honourable war , To a most base and vile - concluded And why rail I on this Commodity ? But for because he hath not woo'd me yet . Since kings break faith upon commodity ...
Pagina 60
... hath , Nor feels not what he owes but by reflection ; As when his virtues shining upon others Heat them , and they retort that heat again To the first giver . ACHILLES . This is not strange , Ulysses . The beauty that is borne here in ...
... hath , Nor feels not what he owes but by reflection ; As when his virtues shining upon others Heat them , and they retort that heat again To the first giver . ACHILLES . This is not strange , Ulysses . The beauty that is borne here in ...
Pagina 127
... Hath borne his faculties so meek , hath been So clear in his great office , that his virtues . Will plead like angels , trumpet - tongu'd , against The deep damnation of his taking - off ... These lines have of course behind them the ...
... Hath borne his faculties so meek , hath been So clear in his great office , that his virtues . Will plead like angels , trumpet - tongu'd , against The deep damnation of his taking - off ... These lines have of course behind them the ...
Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
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Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action Antony Antony and Cleopatra Apemantus appearance attitudes aware C. S. Lewis centre character Cleopatra concern consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay essential evil evoked experience explicit F. R. Leavis fact Falstaff feel Fool force Ghost give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence judgment kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman meaning mind moral murder nature ness night Ophelia Othello passage passion pattern philosophy phrase play play's poet poetic poetry political present public world question reality reason relation scene seems sense Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee themes things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural values whole Wilson Knight words