SOME SHAKESPEAREAN THEMES AND AN APPROACH TO HAMLET |
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Pagina 27
But for because he hath not woo'd me yet . Since kings break faith upon commodity , Gain be my lord , for I will worship thee . ( 11. i . 561-88 ) The Bastard's profession of self - interest — judging by his subsequent ...
But for because he hath not woo'd me yet . Since kings break faith upon commodity , Gain be my lord , for I will worship thee . ( 11. i . 561-88 ) The Bastard's profession of self - interest — judging by his subsequent ...
Pagina 44
... Their over - greedy love hath surfeited : An habitation giddy and unsure Hath he that buildeth on the vulgar heart ... , and it is characteristic of this play that the very fickleness of the common people , dwelt on at some length ...
... Their over - greedy love hath surfeited : An habitation giddy and unsure Hath he that buildeth on the vulgar heart ... , and it is characteristic of this play that the very fickleness of the common people , dwelt on at some length ...
Pagina 219
... her election Hath seal'd thee for herself ; for thou hast been As one , in suffering all , that suffers nothing ; A man that Fortune's buffets and rewards Hath ta'en with equal thanks ; and bless'd are those Whose blood and judgment ...
... her election Hath seal'd thee for herself ; for thou hast been As one , in suffering all , that suffers nothing ; A man that Fortune's buffets and rewards Hath ta'en with equal thanks ; and bless'd are those Whose blood and judgment ...
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Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
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Alte ediții - Afișează-le pe toate
Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action Antony Antony and Cleopatra Apemantus appearance attitudes aware C. S. Lewis centre character Cleopatra concern consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay essential evil evoked experience explicit F. R. Leavis fact Falstaff feel Fool force Ghost give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence judgment kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman meaning mind moral murder nature ness night Ophelia Othello passage passion pattern philosophy phrase play play's poet poetic poetry political present public world question reality reason relation scene seems sense Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee themes things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural values whole Wilson Knight words