SOME SHAKESPEAREAN THEMES AND AN APPROACH TO HAMLET1960 |
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Pagina 21
... hand . In Henry VI Shakespeare uses more than one style , but the following , from the Second Part ( II . vi ) , is ... hands I have deserved no pity . We have only to put beside this a passage from the open- ing soliloquy of Richard III ...
... hand . In Henry VI Shakespeare uses more than one style , but the following , from the Second Part ( II . vi ) , is ... hands I have deserved no pity . We have only to put beside this a passage from the open- ing soliloquy of Richard III ...
Pagina 24
... hand which had the strength , even at your door , To cudgel you and make you take the hatch , To dive like buckets in concealed wells , To crouch in litter of your stable planks , To lie like pawns lock'd up in chests and trunks , To ...
... hand which had the strength , even at your door , To cudgel you and make you take the hatch , To dive like buckets in concealed wells , To crouch in litter of your stable planks , To lie like pawns lock'd up in chests and trunks , To ...
Pagina 53
... hand Keep the wild flood confined ! let order die ! And let this world no longer be a stage To feed contention in a lingering act ; But let one spirit of the first - born Cain Reign in all bosoms , that , each heart being set On bloody ...
... hand Keep the wild flood confined ! let order die ! And let this world no longer be a stage To feed contention in a lingering act ; But let one spirit of the first - born Cain Reign in all bosoms , that , each heart being set On bloody ...
Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
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Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action Antony Antony and Cleopatra Apemantus appearance attitudes aware C. S. Lewis centre character Cleopatra concern consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay essential evil evoked experience explicit F. R. Leavis fact Falstaff feel Fool force Ghost give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence judgment kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman meaning mind moral murder nature ness night Ophelia Othello passage passion pattern philosophy phrase play play's poet poetic poetry political present public world question reality reason relation scene seems sense Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee themes things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural values whole Wilson Knight words