SOME SHAKESPEAREAN THEMES AND AN APPROACH TO HAMLET |
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Pagina 21
The way he speaks the way Shakespeare makes him speak— relates him directly to a world that is seen and felt close at hand . In Henry VI Shakespeare uses more than one style , but the following , from the Second Part ( II . vi ) ...
The way he speaks the way Shakespeare makes him speak— relates him directly to a world that is seen and felt close at hand . In Henry VI Shakespeare uses more than one style , but the following , from the Second Part ( II . vi ) ...
Pagina 24
That hand which had the strength , even at your door , To cudgel you and make you take the hatch , To dive like buckets in concealed wells , To crouch in litter of your stable planks , To lie like pawns lock'd up in chests and trunks ...
That hand which had the strength , even at your door , To cudgel you and make you take the hatch , To dive like buckets in concealed wells , To crouch in litter of your stable planks , To lie like pawns lock'd up in chests and trunks ...
Pagina 89
105-12 ) The ' thou ' of that speech , the ' thing itself ' , is — we have just heard ' one that slept in the contriving of lust , and wak'd to do it ... false of heart , light of ear , bloody of hand ; hog in sloth , fox in stealth ...
105-12 ) The ' thou ' of that speech , the ' thing itself ' , is — we have just heard ' one that slept in the contriving of lust , and wak'd to do it ... false of heart , light of ear , bloody of hand ; hog in sloth , fox in stealth ...
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Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
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Alte ediții - Afișează-le pe toate
Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action Antony Antony and Cleopatra Apemantus appearance attitudes aware C. S. Lewis centre character Cleopatra concern consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay essential evil evoked experience explicit F. R. Leavis fact Falstaff feel Fool force Ghost give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence judgment kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman meaning mind moral murder nature ness night Ophelia Othello passage passion pattern philosophy phrase play play's poet poetic poetry political present public world question reality reason relation scene seems sense Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee themes things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural values whole Wilson Knight words