SOME SHAKESPEAREAN THEMES AND AN APPROACH TO HAMLET |
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Pagina 91
jointly demonstrate how much power he has in fact given his threats are vague but enormous . away I will do such things , What they are , yet I know not , but they shall be The terrors of the earth . ( 11. iv .
jointly demonstrate how much power he has in fact given his threats are vague but enormous . away I will do such things , What they are , yet I know not , but they shall be The terrors of the earth . ( 11. iv .
Pagina 117
But what we have to deal with is something more complex than a simple comparison which is then given again with the terms reversed ; Burgundy is throughout expressing a sense of the interrelationship — a two - way trafficbetween man and ...
But what we have to deal with is something more complex than a simple comparison which is then given again with the terms reversed ; Burgundy is throughout expressing a sense of the interrelationship — a two - way trafficbetween man and ...
Pagina 122
Perhaps it is easier to grasp this in relation to the world - the given ' nature ' - of inner experience . The mind ( ' that ocean , where each kind Does straight its own resemblance find ' ) contains within itself elements ...
Perhaps it is easier to grasp this in relation to the world - the given ' nature ' - of inner experience . The mind ( ' that ocean , where each kind Does straight its own resemblance find ' ) contains within itself elements ...
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Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
Drept de autor | |
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Alte ediții - Afișează-le pe toate
Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action Antony Antony and Cleopatra Apemantus appearance attitudes aware C. S. Lewis centre character Cleopatra concern consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay essential evil evoked experience explicit F. R. Leavis fact Falstaff feel Fool force Ghost give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence judgment kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman meaning mind moral murder nature ness night Ophelia Othello passage passion pattern philosophy phrase play play's poet poetic poetry political present public world question reality reason relation scene seems sense Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee themes things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural values whole Wilson Knight words