SOME SHAKESPEAREAN THEMES AND AN APPROACH TO HAMLET1960 |
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Pagina 63
... give way , Or hedge aside from the direct forthright , Like to an enter'd tide they all rush by And leave you hindmost ; Or , like a gallant horse fall'n in first rank , Lie there for pavement to the abject rear , O'errun and trampled ...
... give way , Or hedge aside from the direct forthright , Like to an enter'd tide they all rush by And leave you hindmost ; Or , like a gallant horse fall'n in first rank , Lie there for pavement to the abject rear , O'errun and trampled ...
Pagina 179
... gives us great and noble thoughts ; what it doesn't give , what it isn't intended to give , is all that lies behind thought in the obscurer regions of the soul where thought begins . One day I may be able to show how real thinking in ...
... gives us great and noble thoughts ; what it doesn't give , what it isn't intended to give , is all that lies behind thought in the obscurer regions of the soul where thought begins . One day I may be able to show how real thinking in ...
Pagina 203
... give them shape , or time to act them in . What should such fellows as I do crawling between heaven and earth ? We are arrant knaves all ; believe none of us . Go thy ways to a nunnery . may for the moment leave on one side the question ...
... give them shape , or time to act them in . What should such fellows as I do crawling between heaven and earth ? We are arrant knaves all ; believe none of us . Go thy ways to a nunnery . may for the moment leave on one side the question ...
Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
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Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action Antony Antony and Cleopatra Apemantus appearance attitudes aware C. S. Lewis centre character Cleopatra concern consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay essential evil evoked experience explicit F. R. Leavis fact Falstaff feel Fool force Ghost give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence judgment kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman meaning mind moral murder nature ness night Ophelia Othello passage passion pattern philosophy phrase play play's poet poetic poetry political present public world question reality reason relation scene seems sense Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee themes things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural values whole Wilson Knight words