SOME SHAKESPEAREAN THEMES AND AN APPROACH TO HAMLET |
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Pagina 84
The subsequent action of the play is designed not only to force the hidden conflict in Lear into consciousness , and , with the fullest possible knowledge of the relevant facts , to compel a choice , but to force each one of us to ...
The subsequent action of the play is designed not only to force the hidden conflict in Lear into consciousness , and , with the fullest possible knowledge of the relevant facts , to compel a choice , but to force each one of us to ...
Pagina 85
It is into the world of indifferent natural forces , so glibly invoked by Edmund , that Lear is precipitated by a ... clings with the whole force of his personality , is irreconcilably opposed to what are in fact his basic attitudes .
It is into the world of indifferent natural forces , so glibly invoked by Edmund , that Lear is precipitated by a ... clings with the whole force of his personality , is irreconcilably opposed to what are in fact his basic attitudes .
Pagina 90
Now if there is one truth that the play brings home with superb force it is that neither man's reason nor his powers of perception function in isolation from the rest of his personality : quantum sumus , scimus [ 15 ] .
Now if there is one truth that the play brings home with superb force it is that neither man's reason nor his powers of perception function in isolation from the rest of his personality : quantum sumus , scimus [ 15 ] .
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Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
Drept de autor | |
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Alte ediții - Afișează-le pe toate
Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action Antony Antony and Cleopatra Apemantus appearance attitudes aware C. S. Lewis centre character Cleopatra concern consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay essential evil evoked experience explicit F. R. Leavis fact Falstaff feel Fool force Ghost give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence judgment kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman meaning mind moral murder nature ness night Ophelia Othello passage passion pattern philosophy phrase play play's poet poetic poetry political present public world question reality reason relation scene seems sense Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee themes things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural values whole Wilson Knight words