SOME SHAKESPEAREAN THEMES AND AN APPROACH TO HAMLET1960 |
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Pagina 81
... force in a world of natural forces - is incorporated in King Lear , that is because it appeared to envisage nothing but the bare facts of existence ; and for Shakespeare's present purpose , as we have seen , it was necessary to get at ...
... force in a world of natural forces - is incorporated in King Lear , that is because it appeared to envisage nothing but the bare facts of existence ; and for Shakespeare's present purpose , as we have seen , it was necessary to get at ...
Pagina 85
... force and cunning at his com- mand : " Thou , Nature , art my goddess ' ( 1. ii . 1 ) ; ' All with me's meet that I can fashion fit ' ( 1. ii . 191 ) . It is into the world of indifferent natural forces , so glibly invoked by Edmund ...
... force and cunning at his com- mand : " Thou , Nature , art my goddess ' ( 1. ii . 1 ) ; ' All with me's meet that I can fashion fit ' ( 1. ii . 191 ) . It is into the world of indifferent natural forces , so glibly invoked by Edmund ...
Pagina 90
... force it is that neither man's reason nor his powers of perception function in isolation from the rest of his personality : quantum sumus , scimus [ 15 ] . How Lear feels , in short , is as important as what he feels , for the final ...
... force it is that neither man's reason nor his powers of perception function in isolation from the rest of his personality : quantum sumus , scimus [ 15 ] . How Lear feels , in short , is as important as what he feels , for the final ...
Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
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Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action Antony Antony and Cleopatra Apemantus appearance attitudes aware C. S. Lewis centre character Cleopatra concern consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay essential evil evoked experience explicit F. R. Leavis fact Falstaff feel Fool force Ghost give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence judgment kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman meaning mind moral murder nature ness night Ophelia Othello passage passion pattern philosophy phrase play play's poet poetic poetry political present public world question reality reason relation scene seems sense Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee themes things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural values whole Wilson Knight words