SOME SHAKESPEAREAN THEMES AND AN APPROACH TO HAMLET |
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Pagina 28
In the plays that follow , Shakespeare was to find subtler means of expressing and enforcing judgment on the presented action ; and he was never again to sum up with the simple obviousness of the speech on Commodity .
In the plays that follow , Shakespeare was to find subtler means of expressing and enforcing judgment on the presented action ; and he was never again to sum up with the simple obviousness of the speech on Commodity .
Pagina 58
Take but degree away , untune that string , And , hark ! what discord follows ; each thing meets In mere oppugnancy : the bounded waters Should lift their bosoms higher than the shores , And make a sop of all this solid globe : Strength ...
Take but degree away , untune that string , And , hark ! what discord follows ; each thing meets In mere oppugnancy : the bounded waters Should lift their bosoms higher than the shores , And make a sop of all this solid globe : Strength ...
Pagina 80
Change our natures ; go bid a Blackamoor be white , we follow our Constitutions , which we did not give ourselves . DON LOPEZ . What we are , we are by Nature , our reason tells us we must follow that . DON JOHN .
Change our natures ; go bid a Blackamoor be white , we follow our Constitutions , which we did not give ourselves . DON LOPEZ . What we are , we are by Nature , our reason tells us we must follow that . DON JOHN .
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Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
Drept de autor | |
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Alte ediții - Afișează-le pe toate
Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action Antony Antony and Cleopatra Apemantus appearance attitudes aware C. S. Lewis centre character Cleopatra concern consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay essential evil evoked experience explicit F. R. Leavis fact Falstaff feel Fool force Ghost give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence judgment kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman meaning mind moral murder nature ness night Ophelia Othello passage passion pattern philosophy phrase play play's poet poetic poetry political present public world question reality reason relation scene seems sense Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee themes things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural values whole Wilson Knight words