SOME SHAKESPEAREAN THEMES AND AN APPROACH TO HAMLET1960 |
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Pagina 79
... follow from a belief in Nature's indifference , as Mill's essay shows . But in the age of Shakespeare the partial erosion of the established assumptions about Nature does seem to have had a share in the undermining of the older ...
... follow from a belief in Nature's indifference , as Mill's essay shows . But in the age of Shakespeare the partial erosion of the established assumptions about Nature does seem to have had a share in the undermining of the older ...
Pagina 80
... follow our Constitutions , which we did not give ourselves . DON LOPEZ . What we are , we are by Nature , our reason tells us we must follow that . DON JOHN . Our Constitutions tell us one thing , and yours another ; and which must we ...
... follow our Constitutions , which we did not give ourselves . DON LOPEZ . What we are , we are by Nature , our reason tells us we must follow that . DON JOHN . Our Constitutions tell us one thing , and yours another ; and which must we ...
Pagina 86
... follows . Whatever Lear thinks of himself , one side of his nature is already com- mitted - even before he is thrust ... follow- ing , represent a two - fold process of discovery - of the ' nature ' without and within . No summary can ...
... follows . Whatever Lear thinks of himself , one side of his nature is already com- mitted - even before he is thrust ... follow- ing , represent a two - fold process of discovery - of the ' nature ' without and within . No summary can ...
Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
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Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action Antony Antony and Cleopatra Apemantus appearance attitudes aware C. S. Lewis centre character Cleopatra concern consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay essential evil evoked experience explicit F. R. Leavis fact Falstaff feel Fool force Ghost give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence judgment kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman meaning mind moral murder nature ness night Ophelia Othello passage passion pattern philosophy phrase play play's poet poetic poetry political present public world question reality reason relation scene seems sense Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee themes things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural values whole Wilson Knight words