SOME SHAKESPEAREAN THEMES AND AN APPROACH TO HAMLET1960 |
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Pagina 94
... feel what wretches feel , That thou mayst shake the superflux to them , And show the Heavens more just . ( 111. iv . 28-36 ) This is pity , not self - pity ; and condemnation of others momentarily gives way to self - condemnation : ' O ...
... feel what wretches feel , That thou mayst shake the superflux to them , And show the Heavens more just . ( 111. iv . 28-36 ) This is pity , not self - pity ; and condemnation of others momentarily gives way to self - condemnation : ' O ...
Pagina 107
... feel . Now what our seeing has been directed towards is nothing less than what man is . The imaginative discovery that is the play's essence has thus involved the sharpest possible juxta- position of rival conceptions of ' Nature ' . In ...
... feel . Now what our seeing has been directed towards is nothing less than what man is . The imaginative discovery that is the play's essence has thus involved the sharpest possible juxta- position of rival conceptions of ' Nature ' . In ...
Pagina 176
... feel that ' contagion ' is an adequate answer . What I do feel is that the play prompts us to look much more closely at the attitudes with which Hamlet confronts his world and the gross evil in that world . Now I want to insist that I ...
... feel that ' contagion ' is an adequate answer . What I do feel is that the play prompts us to look much more closely at the attitudes with which Hamlet confronts his world and the gross evil in that world . Now I want to insist that I ...
Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
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Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action Antony Antony and Cleopatra Apemantus appearance attitudes aware C. S. Lewis centre character Cleopatra concern consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay essential evil evoked experience explicit F. R. Leavis fact Falstaff feel Fool force Ghost give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence judgment kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman meaning mind moral murder nature ness night Ophelia Othello passage passion pattern philosophy phrase play play's poet poetic poetry political present public world question reality reason relation scene seems sense Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee themes things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural values whole Wilson Knight words