SOME SHAKESPEAREAN THEMES AND AN APPROACH TO HAMLET |
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Pagina 94
then , shown as part of a dawning feeling for a wider human relationship . ... Take physic , Pomp ; Expose thyself to feel what wretches feel , That thou mayst shake the superflux to them , And show the Heavens more just . ( 111. iv .
then , shown as part of a dawning feeling for a wider human relationship . ... Take physic , Pomp ; Expose thyself to feel what wretches feel , That thou mayst shake the superflux to them , And show the Heavens more just . ( 111. iv .
Pagina 98
Gloucester learns to suffer , to feel , and in feeling to see ; and under Edgar's guidance he comes as near as he may to thoughts that are not only ' patient ' but ' free ' [ 20 ] . At that point in the play which , it may be recalled ...
Gloucester learns to suffer , to feel , and in feeling to see ; and under Edgar's guidance he comes as near as he may to thoughts that are not only ' patient ' but ' free ' [ 20 ] . At that point in the play which , it may be recalled ...
Pagina 179
If I am to write my play about a man who is really cornered , really " tormented in this sea of fortune " as Boethius puts it , I've got to give not the abstract words for all that is over against him , but the whole oppressive feel of ...
If I am to write my play about a man who is really cornered , really " tormented in this sea of fortune " as Boethius puts it , I've got to give not the abstract words for all that is over against him , but the whole oppressive feel of ...
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Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
Drept de autor | |
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Alte ediții - Afișează-le pe toate
Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action Antony Antony and Cleopatra Apemantus appearance attitudes aware C. S. Lewis centre character Cleopatra concern consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay essential evil evoked experience explicit F. R. Leavis fact Falstaff feel Fool force Ghost give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence judgment kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman meaning mind moral murder nature ness night Ophelia Othello passage passion pattern philosophy phrase play play's poet poetic poetry political present public world question reality reason relation scene seems sense Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee themes things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural values whole Wilson Knight words