SOME SHAKESPEAREAN THEMES AND AN APPROACH TO HAMLET1960 |
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Pagina 94
L.C. KNIGHTS. then , shown as part of a dawning feeling for a wider human relationship . We have already heard , Poor ... feel , That thou mayst shake the superflux to them , And show the Heavens more just . ( 111. iv . 28-36 ) This is ...
L.C. KNIGHTS. then , shown as part of a dawning feeling for a wider human relationship . We have already heard , Poor ... feel , That thou mayst shake the superflux to them , And show the Heavens more just . ( 111. iv . 28-36 ) This is ...
Pagina 98
... feel , and in feeling to see ; and under Edgar's guidance he comes as near as he may to thoughts that are not only ' patient ' but ' free ' [ 20 ] . At that point in the play which , it may be recalled , this consideration of Gloucester ...
... feel , and in feeling to see ; and under Edgar's guidance he comes as near as he may to thoughts that are not only ' patient ' but ' free ' [ 20 ] . At that point in the play which , it may be recalled , this consideration of Gloucester ...
Pagina 179
... feel of it . . . . And there's the complication of it all for the poor playwright . For if I make my Hamlet the central consciousness of the play , and try to show how his world feels - how indeed it smells — to him , then his feelings ...
... feel of it . . . . And there's the complication of it all for the poor playwright . For if I make my Hamlet the central consciousness of the play , and try to show how his world feels - how indeed it smells — to him , then his feelings ...
Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
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Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action Antony Antony and Cleopatra Apemantus appearance attitudes aware C. S. Lewis centre character Cleopatra concern consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay essential evil evoked experience explicit F. R. Leavis fact Falstaff feel Fool force Ghost give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence judgment kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman meaning mind moral murder nature ness night Ophelia Othello passage passion pattern philosophy phrase play play's poet poetic poetry political present public world question reality reason relation scene seems sense Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee themes things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural values whole Wilson Knight words