SOME SHAKESPEAREAN THEMES AND AN APPROACH TO HAMLET1960 |
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Pagina 13
... fear of death and the fear of life , the meanings of nature , the meanings of relationship . Such abstract words of course tell us little about the plays in their rich concreteness 13 SOME CONTEMPORARY TRENDS.
... fear of death and the fear of life , the meanings of nature , the meanings of relationship . Such abstract words of course tell us little about the plays in their rich concreteness 13 SOME CONTEMPORARY TRENDS.
Pagina 66
... fear me , Sounding destruction , or some joy too fine , Too subtle - potent , tun'd too sharp in sweetness For the capacity of my ruder powers : I fear it much ; and I do fear besides That I shall lose distinction in my joys ; As doth a ...
... fear me , Sounding destruction , or some joy too fine , Too subtle - potent , tun'd too sharp in sweetness For the capacity of my ruder powers : I fear it much ; and I do fear besides That I shall lose distinction in my joys ; As doth a ...
Pagina 251
... fear , that seeing reason leads , finds safer footing than blind reason stumbling without fear : to fear the worst oft cures the worst ' ( Troilus and Cressida , 11. ii . 75-7 ) . I have long felt the poignant beauty of the concluding ...
... fear , that seeing reason leads , finds safer footing than blind reason stumbling without fear : to fear the worst oft cures the worst ' ( Troilus and Cressida , 11. ii . 75-7 ) . I have long felt the poignant beauty of the concluding ...
Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
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Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action Antony Antony and Cleopatra Apemantus appearance attitudes aware C. S. Lewis centre character Cleopatra concern consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay essential evil evoked experience explicit F. R. Leavis fact Falstaff feel Fool force Ghost give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence judgment kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman meaning mind moral murder nature ness night Ophelia Othello passage passion pattern philosophy phrase play play's poet poetic poetry political present public world question reality reason relation scene seems sense Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee themes things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural values whole Wilson Knight words