SOME SHAKESPEAREAN THEMES AND AN APPROACH TO HAMLET |
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Pagina 81
... by an act of profound individual exploration : the play does not take them for granted ; it takes nothing for granted but Nature and natural energies and passions [ 9 ] . 2 The fact that King Lear was written so soon 81 ' KING LEAR '
... by an act of profound individual exploration : the play does not take them for granted ; it takes nothing for granted but Nature and natural energies and passions [ 9 ] . 2 The fact that King Lear was written so soon 81 ' KING LEAR '
Pagina 124
any law in which it may be embodied , for it is what is dictated by the very fact of being human ; if you accept your humanity then you can't murder with impunity . Nor is this simply a matter of judicial punishment : the murdered man ...
any law in which it may be embodied , for it is what is dictated by the very fact of being human ; if you accept your humanity then you can't murder with impunity . Nor is this simply a matter of judicial punishment : the murdered man ...
Pagina 246
XX , 1934 ) , is a memorable warning ; and the fact that Twelfth Night belongs to the same period as Hamlet reinforces the remark made above ( p . 60 ) to the effect that even Shakespeare's deepest preoccupations were not obsessions .
XX , 1934 ) , is a memorable warning ; and the fact that Twelfth Night belongs to the same period as Hamlet reinforces the remark made above ( p . 60 ) to the effect that even Shakespeare's deepest preoccupations were not obsessions .
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Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
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Alte ediții - Afișează-le pe toate
Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action Antony Antony and Cleopatra Apemantus appearance attitudes aware C. S. Lewis centre character Cleopatra concern consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay essential evil evoked experience explicit F. R. Leavis fact Falstaff feel Fool force Ghost give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence judgment kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman meaning mind moral murder nature ness night Ophelia Othello passage passion pattern philosophy phrase play play's poet poetic poetry political present public world question reality reason relation scene seems sense Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee themes things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural values whole Wilson Knight words