SOME SHAKESPEAREAN THEMES AND AN APPROACH TO HAMLET1960 |
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Pagina 57
L.C. KNIGHTS. stand for are the subject of frequent exposition , debate and explicit comment [ 3 ] . We shall not do violence to the play or wrench its total meaning if we hinge our analysis on three of the major sequences in which there ...
L.C. KNIGHTS. stand for are the subject of frequent exposition , debate and explicit comment [ 3 ] . We shall not do violence to the play or wrench its total meaning if we hinge our analysis on three of the major sequences in which there ...
Pagina 136
... explicit comment , defines for us the vitality of the theme . Shakespeare , in short , evokes the passion of the lovers with the greatest possible intensity , and invests it with the maximum of positive significance . But , more realist ...
... explicit comment , defines for us the vitality of the theme . Shakespeare , in short , evokes the passion of the lovers with the greatest possible intensity , and invests it with the maximum of positive significance . But , more realist ...
Pagina 222
... explicit the direction of the emotional current of the soliloquy . To quote John Vyvyan again , the dialogue with Ophelia ' is really a continuation of the death theme ; indeed , it is more , it is part of the long - drawn act of ...
... explicit the direction of the emotional current of the soliloquy . To quote John Vyvyan again , the dialogue with Ophelia ' is really a continuation of the death theme ; indeed , it is more , it is part of the long - drawn act of ...
Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
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Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action Antony Antony and Cleopatra Apemantus appearance attitudes aware C. S. Lewis centre character Cleopatra concern consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay essential evil evoked experience explicit F. R. Leavis fact Falstaff feel Fool force Ghost give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence judgment kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman meaning mind moral murder nature ness night Ophelia Othello passage passion pattern philosophy phrase play play's poet poetic poetry political present public world question reality reason relation scene seems sense Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee themes things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural values whole Wilson Knight words