SOME SHAKESPEAREAN THEMES AND AN APPROACH TO HAMLET |
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Pagina 39
... which we are compelled by that honesty of imagination which takes everything into account . The imagination of course can leap ahead of experience , though only in such a way that experience - what is intimately known - feels itself ...
... which we are compelled by that honesty of imagination which takes everything into account . The imagination of course can leap ahead of experience , though only in such a way that experience - what is intimately known - feels itself ...
Pagina 56
All we can say is that the way experience came to him was soaked in feelings and shot through with perceptions that crystallized out as the themes of appearance , death , and so on . But the condition of the defining that his art is ...
All we can say is that the way experience came to him was soaked in feelings and shot through with perceptions that crystallized out as the themes of appearance , death , and so on . But the condition of the defining that his art is ...
Pagina 133
In each Shakespeare dramatizes modes of experience that -for all the intensity with which they are expressed - we recognize as coming very close indeed to the common run of human experience . The themes of the two plays are indeed ...
In each Shakespeare dramatizes modes of experience that -for all the intensity with which they are expressed - we recognize as coming very close indeed to the common run of human experience . The themes of the two plays are indeed ...
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Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
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Alte ediții - Afișează-le pe toate
Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action Antony Antony and Cleopatra Apemantus appearance attitudes aware C. S. Lewis centre character Cleopatra concern consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay essential evil evoked experience explicit F. R. Leavis fact Falstaff feel Fool force Ghost give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence judgment kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman meaning mind moral murder nature ness night Ophelia Othello passage passion pattern philosophy phrase play play's poet poetic poetry political present public world question reality reason relation scene seems sense Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee themes things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural values whole Wilson Knight words