SOME SHAKESPEAREAN THEMES AND AN APPROACH TO HAMLET |
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Pagina 177
Kitto writes , ' we may say that both in the Greek trilogy ( the Oresteia ) and in Shakespeare's play the Tragic Hero , ultimately , is humanity itself ; and what humanity is suffering from , in Hamlet , is not a specific evil , but ...
Kitto writes , ' we may say that both in the Greek trilogy ( the Oresteia ) and in Shakespeare's play the Tragic Hero , ultimately , is humanity itself ; and what humanity is suffering from , in Hamlet , is not a specific evil , but ...
Pagina 219
that Shakespeare was deeply familiar with the traditional doctrine of the nothingness of evil - malum nihil est , evil is nothing , as Boethius says a few lines after the ending of the passage I have just given . Not indeed that evil ...
that Shakespeare was deeply familiar with the traditional doctrine of the nothingness of evil - malum nihil est , evil is nothing , as Boethius says a few lines after the ending of the passage I have just given . Not indeed that evil ...
Pagina 256
No evil passion pursued to the end , ' says Berdyaev , ' has any positive content . All evil consumes itself . Its nothingness is laid bare by its own inner course of development . Evil is the sphere of phantasy ( an idea admirably ...
No evil passion pursued to the end , ' says Berdyaev , ' has any positive content . All evil consumes itself . Its nothingness is laid bare by its own inner course of development . Evil is the sphere of phantasy ( an idea admirably ...
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Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
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Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action Antony Antony and Cleopatra Apemantus appearance attitudes aware C. S. Lewis centre character Cleopatra concern consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay essential evil evoked experience explicit F. R. Leavis fact Falstaff feel Fool force Ghost give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence judgment kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman meaning mind moral murder nature ness night Ophelia Othello passage passion pattern philosophy phrase play play's poet poetic poetry political present public world question reality reason relation scene seems sense Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee themes things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural values whole Wilson Knight words
Informații bibliografice
| Titlu | SOME SHAKESPEAREAN THEMES AND AN APPROACH TO HAMLET |
| Autor | L.C. KNIGHTS |
| Publicată | 1960 |
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