SOME SHAKESPEAREAN THEMES AND AN APPROACH TO HAMLET1960 |
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Pagina 137
... emotion that Cleopatra can humour him until she is , as it were , again present to him . Shakespeare , however ... emotional stimulants . They were necessary for much the same reason as the feasts and wine . For the continued ...
... emotion that Cleopatra can humour him until she is , as it were , again present to him . Shakespeare , however ... emotional stimulants . They were necessary for much the same reason as the feasts and wine . For the continued ...
Pagina 197
... emotional shock he has suffered is equalled by the weakness of his mind in the face of difficult moral and ... emotional life ; in the play before us the dominant emotions are activated by certain specific shocks but they cannot be ...
... emotional shock he has suffered is equalled by the weakness of his mind in the face of difficult moral and ... emotional life ; in the play before us the dominant emotions are activated by certain specific shocks but they cannot be ...
Pagina 216
... emotional and the bodily accompaniments of a state of being issuing in a conception that will not easily yield itself to conceptual forms ( ' my thought , whose murder yet is but fantastical ... ' ) . Such again is that other great ...
... emotional and the bodily accompaniments of a state of being issuing in a conception that will not easily yield itself to conceptual forms ( ' my thought , whose murder yet is but fantastical ... ' ) . Such again is that other great ...
Cuprins
On Some Contemporary Trends in Shakespeare | 3 |
First Observations | 16 |
The Sonnets and King Henry | 35 |
Drept de autor | |
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Alte ediții - Afișează-le pe toate
Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action Antony Antony and Cleopatra Apemantus appearance attitudes aware C. S. Lewis centre character Cleopatra concern consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay essential evil evoked experience explicit F. R. Leavis fact Falstaff feel Fool force Ghost give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence irony judgment kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman meaning mind moral murder nature ness night Ophelia Othello passage passion philosophy phrase play play's poet poetic poetry political present public world question reality reason relation scene seems sense Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee themes things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural values whole Wilson Knight words