SOME SHAKESPEAREAN THEMES AND AN APPROACH TO HAMLET1960 |
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Pagina 33
... Doth he feel it ? no . Doth he hear it ? no . ' Tis insensible , then ? yea , to the dead . But will it not live with the living ? no . Why ? detraction will not suffer it . Therefore I'll none of it . Honour is a mere scutcheon ; and ...
... Doth he feel it ? no . Doth he hear it ? no . ' Tis insensible , then ? yea , to the dead . But will it not live with the living ? no . Why ? detraction will not suffer it . Therefore I'll none of it . Honour is a mere scutcheon ; and ...
Pagina 37
... doth sing , And stops her pipe in growth of riper days : Not that the summer is less pleasant now Than when her ... doth now his gift confound . Time doth transfix the flourish set on youth And delves the parallels in beauty's brow ...
... doth sing , And stops her pipe in growth of riper days : Not that the summer is less pleasant now Than when her ... doth now his gift confound . Time doth transfix the flourish set on youth And delves the parallels in beauty's brow ...
Pagina 84
... doth love us most ? That we our largest bounty may extend Where nature doth with merit challenge . * ( 1. i . 51-3 ) To a demand of this kind the only honest reply is Corde- lia's ' Nothing ' . Now one result of perverse demands is a ...
... doth love us most ? That we our largest bounty may extend Where nature doth with merit challenge . * ( 1. i . 51-3 ) To a demand of this kind the only honest reply is Corde- lia's ' Nothing ' . Now one result of perverse demands is a ...
Cuprins
On Some Contemporary Trends in Shakespeare | 3 |
First Observations | 16 |
The Sonnets and King Henry | 35 |
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Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action Antony Antony and Cleopatra Apemantus appearance attitudes aware C. S. Lewis centre character Cleopatra concern consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay essential evil evoked experience explicit F. R. Leavis fact Falstaff feel Fool force Ghost give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence irony judgment kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman meaning mind moral murder nature ness night Ophelia Othello passage passion philosophy phrase play play's poet poetic poetry political present public world question reality reason relation scene seems sense Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee themes things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural values whole Wilson Knight words