SOME SHAKESPEAREAN THEMES AND AN APPROACH TO HAMLET1960 |
Din interiorul cărții
Rezultatele 1 - 3 din 30
Pagina 36
... directly from the life history of the poet ; and if we make a prose paraphrase of the poems in the order in which they appeared in Thorpe's edition of 1609 we can piece together a story that has a tantalizing appearance of fragmentary ...
... directly from the life history of the poet ; and if we make a prose paraphrase of the poems in the order in which they appeared in Thorpe's edition of 1609 we can piece together a story that has a tantalizing appearance of fragmentary ...
Pagina 68
... directly in this way it is plain that what we have to deal with , what we are engaged in , is not simply an objective analysis of the ways in which apparently opposed attitudes lead to the same predicament . Troilus and Cressida , says ...
... directly in this way it is plain that what we have to deal with , what we are engaged in , is not simply an objective analysis of the ways in which apparently opposed attitudes lead to the same predicament . Troilus and Cressida , says ...
Pagina 71
... directly the dizzy bewilderment whose causes they seem simply to describe . We are made directly aware of what is meant by the metaphor of the abysses of the mind . It is not only the personality of Cressida that yawns apart beneath the ...
... directly the dizzy bewilderment whose causes they seem simply to describe . We are made directly aware of what is meant by the metaphor of the abysses of the mind . It is not only the personality of Cressida that yawns apart beneath the ...
Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
Drept de autor | |
5 alte secțiuni nu sunt arătate
Alte ediții - Afișează-le pe toate
Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action Antony Antony and Cleopatra Apemantus appearance attitudes aware C. S. Lewis centre character Cleopatra concern consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay essential evil evoked experience explicit F. R. Leavis fact Falstaff feel Fool force Ghost give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence judgment kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman meaning mind moral murder nature ness night Ophelia Othello passage passion pattern philosophy phrase play play's poet poetic poetry political present public world question reality reason relation scene seems sense Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee themes things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural values whole Wilson Knight words