SOME SHAKESPEAREAN THEMES AND AN APPROACH TO HAMLET |
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Pagina 207
The Queen's immediate reaction , which acts as a stage direction indicating Hamlet's whole bearing , is , ' What wilt thou do ? thou wilt not murder me ? Help , help , ho ! ' Perhaps we may again invoke Lear , who as he comes to see ...
The Queen's immediate reaction , which acts as a stage direction indicating Hamlet's whole bearing , is , ' What wilt thou do ? thou wilt not murder me ? Help , help , ho ! ' Perhaps we may again invoke Lear , who as he comes to see ...
Pagina 222
... that in Hamlet's mind the thought of suicide merges with the thought of killing the king ; what matters is the quite unambiguous sense of health giving way to disease , of a loss of purpose and a lapsing from positive direction .
... that in Hamlet's mind the thought of suicide merges with the thought of killing the king ; what matters is the quite unambiguous sense of health giving way to disease , of a loss of purpose and a lapsing from positive direction .
Pagina 243
I still feel , in short , that the defiance of Time , though real enough and certainly indicative of the direction of growth , cannot be effective until the challenge of negation has been faced more fully and the resolution worked out ...
I still feel , in short , that the defiance of Time , though real enough and certainly indicative of the direction of growth , cannot be effective until the challenge of negation has been faced more fully and the resolution worked out ...
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Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
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Alte ediții - Afișează-le pe toate
Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action Antony Antony and Cleopatra Apemantus appearance attitudes aware C. S. Lewis centre character Cleopatra concern consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay essential evil evoked experience explicit F. R. Leavis fact Falstaff feel Fool force Ghost give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence judgment kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman meaning mind moral murder nature ness night Ophelia Othello passage passion pattern philosophy phrase play play's poet poetic poetry political present public world question reality reason relation scene seems sense Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee themes things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural values whole Wilson Knight words