SOME SHAKESPEAREAN THEMES AND AN APPROACH TO HAMLET1960 |
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Pagina 207
... direction indicating Hamlet's whole bearing , is , ' What wilt thou do ? thou wilt not murder me ? Help , help , ho ! ' Perhaps we may again invoke Lear , who as he comes to see more and more clearly the evil in the world , is also ...
... direction indicating Hamlet's whole bearing , is , ' What wilt thou do ? thou wilt not murder me ? Help , help , ho ! ' Perhaps we may again invoke Lear , who as he comes to see more and more clearly the evil in the world , is also ...
Pagina 222
... direction . What the soliloquy does in short is to bring to a head our recognition of the dependence of thought on deeper levels of consciousness , and to make plain beyond all doubt that the set of Hamlet's consciousness is towards a ...
... direction . What the soliloquy does in short is to bring to a head our recognition of the dependence of thought on deeper levels of consciousness , and to make plain beyond all doubt that the set of Hamlet's consciousness is towards a ...
Pagina 243
... direction of growth , cannot be effective until the challenge of negation has been faced more fully and the resolution worked out at even deeper levels . Indeed in Lear and the later plays there is no defiance , and the fundamental ...
... direction of growth , cannot be effective until the challenge of negation has been faced more fully and the resolution worked out at even deeper levels . Indeed in Lear and the later plays there is no defiance , and the fundamental ...
Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
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Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action Antony Antony and Cleopatra Apemantus appearance attitudes aware C. S. Lewis centre character Cleopatra concern consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay essential evil evoked experience explicit F. R. Leavis fact Falstaff feel Fool force Ghost give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence judgment kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman meaning mind moral murder nature ness night Ophelia Othello passage passion pattern philosophy phrase play play's poet poetic poetry political present public world question reality reason relation scene seems sense Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee themes things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural values whole Wilson Knight words
Informații bibliografice
| Titlu | SOME SHAKESPEAREAN THEMES AND AN APPROACH TO HAMLET |
| Autor | L.C. KNIGHTS |
| Publicată | 1960 |
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