SOME SHAKESPEAREAN THEMES AND AN APPROACH TO HAMLET1960 |
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Pagina 71
... death . The question asked by Hamlet ( the whole play , not merely the Prince ) , though obscurely and in a sense inarticulately , concerns an obsession with death . Implicit in the play is a sense of the connexion between an over ...
... death . The question asked by Hamlet ( the whole play , not merely the Prince ) , though obscurely and in a sense inarticulately , concerns an obsession with death . Implicit in the play is a sense of the connexion between an over ...
Pagina 182
... Death ! What feast is toward in thine eternal cell ... ? And it is quite early offered as an example of obvious and inescapable mortality : ' your father lost a father , That father lost , lost his ' ; it is ' as common As any the most ...
... Death ! What feast is toward in thine eternal cell ... ? And it is quite early offered as an example of obvious and inescapable mortality : ' your father lost a father , That father lost , lost his ' ; it is ' as common As any the most ...
Pagina 194
... death is often one expression of the fear of living , for death is one of the life - processes that seem too terrifying to be borne . In examining one means of becoming re- conciled to death , Mr. Eliot can show us life , too , made ...
... death is often one expression of the fear of living , for death is one of the life - processes that seem too terrifying to be borne . In examining one means of becoming re- conciled to death , Mr. Eliot can show us life , too , made ...
Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
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Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action Antony Antony and Cleopatra Apemantus appearance attitudes aware C. S. Lewis centre character Cleopatra concern consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay essential evil evoked experience explicit F. R. Leavis fact Falstaff feel Fool force Ghost give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence judgment kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman meaning mind moral murder nature ness night Ophelia Othello passage passion pattern philosophy phrase play play's poet poetic poetry political present public world question reality reason relation scene seems sense Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee themes things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural values whole Wilson Knight words