SOME SHAKESPEAREAN THEMES AND AN APPROACH TO HAMLET |
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Pagina 71
Time dominates many of the Sonnets ; time and death , the Second Part of King Henry IV . With that as a kind of premise we may express a central line of development as follows . It cannot have been long after Henry IV that Shakespeare ...
Time dominates many of the Sonnets ; time and death , the Second Part of King Henry IV . With that as a kind of premise we may express a central line of development as follows . It cannot have been long after Henry IV that Shakespeare ...
Pagina 182
scene , through the re - enactment of the murder by the Players , to the rhetorical question of Fortinbras at the end , O proud Death ! What feast is toward in thine eternal cell ... ? And it is quite early offered as an example of ...
scene , through the re - enactment of the murder by the Players , to the rhetorical question of Fortinbras at the end , O proud Death ! What feast is toward in thine eternal cell ... ? And it is quite early offered as an example of ...
Pagina 194
An over - strong terror of death is often one expression of the fear of living , for death is one of the life - processes that seem too terrifying to be borne . In examining one means of becoming reconciled to death , Mr. Eliot can show ...
An over - strong terror of death is often one expression of the fear of living , for death is one of the life - processes that seem too terrifying to be borne . In examining one means of becoming reconciled to death , Mr. Eliot can show ...
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Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
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Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action Antony Antony and Cleopatra Apemantus appearance attitudes aware C. S. Lewis centre character Cleopatra concern consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay essential evil evoked experience explicit F. R. Leavis fact Falstaff feel Fool force Ghost give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence judgment kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman meaning mind moral murder nature ness night Ophelia Othello passage passion pattern philosophy phrase play play's poet poetic poetry political present public world question reality reason relation scene seems sense Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee themes things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural values whole Wilson Knight words