SOME SHAKESPEAREAN THEMES AND AN APPROACH TO HAMLET |
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It is of course to be hoped that the critic has a point of view that makes conversation with him worth while . But a work of criticism with which we find conversation impossible can easily be shut up , and a book cannot pursue us down ...
It is of course to be hoped that the critic has a point of view that makes conversation with him worth while . But a work of criticism with which we find conversation impossible can easily be shut up , and a book cannot pursue us down ...
Pagina 3
CHAPTER I On Some Contemporary Trends in Shakespeare Criticism and Other Preliminary Considerations I Ith T is an obvious ... Of course no single mode of appreciation was ever completely dominant ; and between critics sharing a roughly ...
CHAPTER I On Some Contemporary Trends in Shakespeare Criticism and Other Preliminary Considerations I Ith T is an obvious ... Of course no single mode of appreciation was ever completely dominant ; and between critics sharing a roughly ...
Pagina 4
Now I think that these newer trends point to something that is genuinely there in Shakespeare's plays , that had been obscured by prepossessions deriving from earlier phases of Shakespeare criticism , and that is of great importance .
Now I think that these newer trends point to something that is genuinely there in Shakespeare's plays , that had been obscured by prepossessions deriving from earlier phases of Shakespeare criticism , and that is of great importance .
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Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
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Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action Antony Antony and Cleopatra Apemantus appearance attitudes aware C. S. Lewis centre character Cleopatra concern consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay essential evil evoked experience explicit F. R. Leavis fact Falstaff feel Fool force Ghost give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence judgment kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman meaning mind moral murder nature ness night Ophelia Othello passage passion pattern philosophy phrase play play's poet poetic poetry political present public world question reality reason relation scene seems sense Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee themes things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural values whole Wilson Knight words