SOME SHAKESPEAREAN THEMES AND AN APPROACH TO HAMLET1960 |
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Pagina 38
... course that Time's ' rage ' is always the ostensible or formal subject . It is simply that whenever there is occasion to mention Time and ' nature's changing course ' the theme takes possession : there is a sharpness and urgency of ...
... course that Time's ' rage ' is always the ostensible or formal subject . It is simply that whenever there is occasion to mention Time and ' nature's changing course ' the theme takes possession : there is a sharpness and urgency of ...
Pagina 39
... course why Time comes into the picture at all is that many of the sonnets are about ways of defeating him — getting married and having children , or writing immortal verse , or , best of all , loving so truly that Time can make no ...
... course why Time comes into the picture at all is that many of the sonnets are about ways of defeating him — getting married and having children , or writing immortal verse , or , best of all , loving so truly that Time can make no ...
Pagina 57
... course . We may begin with Ulysses ' famous speech in the first meeting of the Greek generals ( 1. iii ) . Troy , yet upon his basis , had been down , And the great Hector's sword had lack'd a master , But for these instances . The ...
... course . We may begin with Ulysses ' famous speech in the first meeting of the Greek generals ( 1. iii ) . Troy , yet upon his basis , had been down , And the great Hector's sword had lack'd a master , But for these instances . The ...
Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
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Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action Antony Antony and Cleopatra Apemantus appearance attitudes aware C. S. Lewis centre character Cleopatra concern consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay essential evil evoked experience explicit F. R. Leavis fact Falstaff feel Fool force Ghost give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence judgment kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman meaning mind moral murder nature ness night Ophelia Othello passage passion pattern philosophy phrase play play's poet poetic poetry political present public world question reality reason relation scene seems sense Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee themes things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural values whole Wilson Knight words