SOME SHAKESPEAREAN THEMES AND AN APPROACH TO HAMLET1960 |
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Pagina 179
... consciousness , I have to describe Hamlet , to define that consciousness . That , though I have tackled something like it before , is a very pretty problem indeed . I don't think that my young man will answer the questions that his ...
... consciousness , I have to describe Hamlet , to define that consciousness . That , though I have tackled something like it before , is a very pretty problem indeed . I don't think that my young man will answer the questions that his ...
Pagina 199
... consciousness , we realize that no one lives to himself : we know , in fact , that life consists in the interplay of ... consciousness , ' the most unlovable of all conditions ' : ' Hamlet is self - conscious man in an unconscious world ...
... consciousness , we realize that no one lives to himself : we know , in fact , that life consists in the interplay of ... consciousness , ' the most unlovable of all conditions ' : ' Hamlet is self - conscious man in an unconscious world ...
Pagina 232
... consciousness - a condition in which neither death nor life can be truly known . I said at the beginning that this account of Hamlet would be in some ways tentative , and I hope that no one will take my exposition as more than a ...
... consciousness - a condition in which neither death nor life can be truly known . I said at the beginning that this account of Hamlet would be in some ways tentative , and I hope that no one will take my exposition as more than a ...
Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
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Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action Antony Antony and Cleopatra Apemantus appearance attitudes aware C. S. Lewis centre character Cleopatra concern consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay essential evil evoked experience explicit F. R. Leavis fact Falstaff feel Fool force Ghost give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence judgment kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman meaning mind moral murder nature ness night Ophelia Othello passage passion pattern philosophy phrase play play's poet poetic poetry political present public world question reality reason relation scene seems sense Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee themes things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural values whole Wilson Knight words