SOME SHAKESPEAREAN THEMES AND AN APPROACH TO HAMLET |
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Pagina 179
osophy can take official notice of : there's the whole turbulent living consciousness out of which such philosophy as we may achieve must draw its life . If I am to write my play about a man who is really cornered , really " tormented ...
osophy can take official notice of : there's the whole turbulent living consciousness out of which such philosophy as we may achieve must draw its life . If I am to write my play about a man who is really cornered , really " tormented ...
Pagina 199
For as we come to objective consciousness , we realize that no one lives to himself : we know , in fact , that life consists in the interplay of subject and object , and that the completely isolated person can only be said to exist ...
For as we come to objective consciousness , we realize that no one lives to himself : we know , in fact , that life consists in the interplay of subject and object , and that the completely isolated person can only be said to exist ...
Pagina 232
What Hamlet represents , on the other hand , is a fixation of consciousness - a condition in which neither death nor life can be truly known . I said at the beginning that this account of Hamlet would be in some ways tentative , and I ...
What Hamlet represents , on the other hand , is a fixation of consciousness - a condition in which neither death nor life can be truly known . I said at the beginning that this account of Hamlet would be in some ways tentative , and I ...
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Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
Drept de autor | |
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Alte ediții - Afișează-le pe toate
Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action Antony Antony and Cleopatra Apemantus appearance attitudes aware C. S. Lewis centre character Cleopatra concern consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay essential evil evoked experience explicit F. R. Leavis fact Falstaff feel Fool force Ghost give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence judgment kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman meaning mind moral murder nature ness night Ophelia Othello passage passion pattern philosophy phrase play play's poet poetic poetry political present public world question reality reason relation scene seems sense Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee themes things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural values whole Wilson Knight words