SOME SHAKESPEAREAN THEMES AND AN APPROACH TO HAMLET1960 |
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Pagina 57
... conditions : first , that we retain a lively sense of the dramatic context of each formal exposition , with its ... condition , or qualification , which will be mentioned in due course . We may begin with Ulysses ' famous speech in ...
... conditions : first , that we retain a lively sense of the dramatic context of each formal exposition , with its ... condition , or qualification , which will be mentioned in due course . We may begin with Ulysses ' famous speech in ...
Pagina 211
... condition of the creative growth of the mind is moral integrity ... Our thinking is bound up with our characters as morally responsible people . Yet Coleridge can distinguish between the kind of conscientiousness which can stultify the ...
... condition of the creative growth of the mind is moral integrity ... Our thinking is bound up with our characters as morally responsible people . Yet Coleridge can distinguish between the kind of conscientiousness which can stultify the ...
Pagina 232
... condition : that the meditation on death is no mere brooding but an energetic and transforming assimila- tion of the basic facts of the human condition . What Hamlet represents , on the other hand , is a fixation of consciousness - a ...
... condition : that the meditation on death is no mere brooding but an energetic and transforming assimila- tion of the basic facts of the human condition . What Hamlet represents , on the other hand , is a fixation of consciousness - a ...
Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
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Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action Antony Antony and Cleopatra Apemantus appearance attitudes aware C. S. Lewis centre character Cleopatra concern consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay essential evil evoked experience explicit F. R. Leavis fact Falstaff feel Fool force Ghost give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence judgment kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman meaning mind moral murder nature ness night Ophelia Othello passage passion pattern philosophy phrase play play's poet poetic poetry political present public world question reality reason relation scene seems sense Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee themes things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural values whole Wilson Knight words