SOME SHAKESPEAREAN THEMES AND AN APPROACH TO HAMLET |
Din interiorul cărții
Rezultatele 1 - 3 din 38
Pagina 13
These are not ' abstract themes ' , ' philosophical concepts ' , or ' bare general propositions ' ; they represent a set or slant of interest that springs from and engages the concern of the personality as a whole ; and although that ...
These are not ' abstract themes ' , ' philosophical concepts ' , or ' bare general propositions ' ; they represent a set or slant of interest that springs from and engages the concern of the personality as a whole ; and although that ...
Pagina 176
And what gives the essay its value is not only the acuteness of its specific analysis but its concern with those moral and religious issues to which the presentation of ' character ' is strictly subordinate .
And what gives the essay its value is not only the acuteness of its specific analysis but its concern with those moral and religious issues to which the presentation of ' character ' is strictly subordinate .
Pagina 207
If with genuine , even with passionate , concern , you want to help someone in great need , someone in desperate ignorance of his true condition , do you , I wonder , say , ' This is what you are : see how ugly you look ' ?
If with genuine , even with passionate , concern , you want to help someone in great need , someone in desperate ignorance of his true condition , do you , I wonder , say , ' This is what you are : see how ugly you look ' ?
Ce spun oamenii - Scrie o recenzie
Nu am găsit nicio recenzie în locurile obișnuite.
Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
Drept de autor | |
5 alte secțiuni nu sunt arătate
Alte ediții - Afișează-le pe toate
Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action Antony Antony and Cleopatra Apemantus appearance attitudes aware C. S. Lewis centre character Cleopatra concern consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay essential evil evoked experience explicit F. R. Leavis fact Falstaff feel Fool force Ghost give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence judgment kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman meaning mind moral murder nature ness night Ophelia Othello passage passion pattern philosophy phrase play play's poet poetic poetry political present public world question reality reason relation scene seems sense Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee themes things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural values whole Wilson Knight words