SOME SHAKESPEAREAN THEMES AND AN APPROACH TO HAMLET1960 |
Din interiorul cărții
Rezultatele 1 - 3 din 19
Pagina 11
... complex verbal patterns of Macbeth . As for the actual conditions of stage performance : although we are perhaps less certain than we thought we were about some important details , we do know a good deal about the Elizabethan public ...
... complex verbal patterns of Macbeth . As for the actual conditions of stage performance : although we are perhaps less certain than we thought we were about some important details , we do know a good deal about the Elizabethan public ...
Pagina 122
... complex resolution of feeling , issuing in new insight , that lies behind the use of ' nature ' in Macbeth . Since the insight stems from a mode of being and is inseparable from it , it cannot be summed up in a formula . But in matters ...
... complex resolution of feeling , issuing in new insight , that lies behind the use of ' nature ' in Macbeth . Since the insight stems from a mode of being and is inseparable from it , it cannot be summed up in a formula . But in matters ...
Pagina 197
... complex relationship of thought and feeling , of intellectual bafflement and certain aspects of the emotional life ; in the play before us the dominant emotions are activated by certain specific shocks but they cannot be attributed ...
... complex relationship of thought and feeling , of intellectual bafflement and certain aspects of the emotional life ; in the play before us the dominant emotions are activated by certain specific shocks but they cannot be attributed ...
Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
Drept de autor | |
5 alte secțiuni nu sunt arătate
Alte ediții - Afișează-le pe toate
Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action Antony Antony and Cleopatra Apemantus appearance attitudes aware C. S. Lewis centre character Cleopatra concern consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay essential evil evoked experience explicit F. R. Leavis fact Falstaff feel Fool force Ghost give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence judgment kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman meaning mind moral murder nature ness night Ophelia Othello passage passion pattern philosophy phrase play play's poet poetic poetry political present public world question reality reason relation scene seems sense Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee themes things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural values whole Wilson Knight words