SOME SHAKESPEAREAN THEMES AND AN APPROACH TO HAMLET |
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Pagina 33
... think that I had a hundred and fifty tattered prodigals lately come from swine - keeping , from eating draff and husks . ... whose obvious comic function combines with a more serious rôle , that the main explicit criticism comes .
... think that I had a hundred and fifty tattered prodigals lately come from swine - keeping , from eating draff and husks . ... whose obvious comic function combines with a more serious rôle , that the main explicit criticism comes .
Pagina 34
Nevertheless there is a sense in which Falstaff is , as Middleton Murry calls him , ' a triumphant particular crystallization of the general element ' [ 13 ] , and through him to change the metaphor - the pervasive ironic vision comes ...
Nevertheless there is a sense in which Falstaff is , as Middleton Murry calls him , ' a triumphant particular crystallization of the general element ' [ 13 ] , and through him to change the metaphor - the pervasive ironic vision comes ...
Pagina 207
Come , come , and sit you down ; you shall not budge ; You go not till I set you up a glass Where you may see the inmost ... Perhaps we may again invoke Lear , who as he comes to see more and more clearly the evil in the world , is also ...
Come , come , and sit you down ; you shall not budge ; You go not till I set you up a glass Where you may see the inmost ... Perhaps we may again invoke Lear , who as he comes to see more and more clearly the evil in the world , is also ...
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Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
Drept de autor | |
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Alte ediții - Afișează-le pe toate
Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action Antony Antony and Cleopatra Apemantus appearance attitudes aware C. S. Lewis centre character Cleopatra concern consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay essential evil evoked experience explicit F. R. Leavis fact Falstaff feel Fool force Ghost give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence judgment kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman meaning mind moral murder nature ness night Ophelia Othello passage passion pattern philosophy phrase play play's poet poetic poetry political present public world question reality reason relation scene seems sense Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee themes things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural values whole Wilson Knight words