SOME SHAKESPEAREAN THEMES AND AN APPROACH TO HAMLET1960 |
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Pagina 147
... character and action were more important to him than abstract ideas . Shakespeare used ideas to interpret character and action . ' True ; but it would be equally true to say that Shakespeare used the analysis of character and ...
... character and action were more important to him than abstract ideas . Shakespeare used ideas to interpret character and action . ' True ; but it would be equally true to say that Shakespeare used the analysis of character and ...
Pagina 237
... characters of the greatest intensity of life unless his personages , in their reciprocal actions and behaviour in ... character ' , as applied to Shakespeare's poetic drama . 3. In Joseph Quincy Adams : Memorial Studies , ed . J. G. ...
... characters of the greatest intensity of life unless his personages , in their reciprocal actions and behaviour in ... character ' , as applied to Shakespeare's poetic drama . 3. In Joseph Quincy Adams : Memorial Studies , ed . J. G. ...
Pagina 239
... Characters of Shakespeare . 3. See E. M. W. Tillyard's Shakespeare's History Plays , and A. P. Rossiter's Preface to ... character , themselves handled with greater flexibility and insight , tend increasingly to find their proper context ...
... Characters of Shakespeare . 3. See E. M. W. Tillyard's Shakespeare's History Plays , and A. P. Rossiter's Preface to ... character , themselves handled with greater flexibility and insight , tend increasingly to find their proper context ...
Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
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Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action Antony Antony and Cleopatra Apemantus appearance attitudes aware C. S. Lewis centre character Cleopatra concern consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay essential evil evoked experience explicit F. R. Leavis fact Falstaff feel Fool force Ghost give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence judgment kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman meaning mind moral murder nature ness night Ophelia Othello passage passion pattern philosophy phrase play play's poet poetic poetry political present public world question reality reason relation scene seems sense Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee themes things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural values whole Wilson Knight words