SOME SHAKESPEAREAN THEMES AND AN APPROACH TO HAMLET |
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Pagina 147
Shakespeare used ideas to interpret character and action . ' True ; but it would be equally true to say that Shakespeare used the analysis of character and personality in the exploration of ideas : the ideas in question being not ...
Shakespeare used ideas to interpret character and action . ' True ; but it would be equally true to say that Shakespeare used the analysis of character and personality in the exploration of ideas : the ideas in question being not ...
Pagina 237
It is suggested , then , that a dramatic poet cannot create characters of the greatest intensity of life unless his personages , in their ... Arthur Sewell's Character and Society in Shakespeare is the most useful account known to me ...
It is suggested , then , that a dramatic poet cannot create characters of the greatest intensity of life unless his personages , in their ... Arthur Sewell's Character and Society in Shakespeare is the most useful account known to me ...
Pagina 239
See also John Palmer , The Political Characters of Shakespeare . 3. ... adds : " The creation of character , indeed , is not to be regarded as the unique , or even principal , end of Shakespeare's dramatic creations , in which plot and ...
See also John Palmer , The Political Characters of Shakespeare . 3. ... adds : " The creation of character , indeed , is not to be regarded as the unique , or even principal , end of Shakespeare's dramatic creations , in which plot and ...
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Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
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Alte ediții - Afișează-le pe toate
Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action Antony Antony and Cleopatra Apemantus appearance attitudes aware C. S. Lewis centre character Cleopatra concern consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay essential evil evoked experience explicit F. R. Leavis fact Falstaff feel Fool force Ghost give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence judgment kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman meaning mind moral murder nature ness night Ophelia Othello passage passion pattern philosophy phrase play play's poet poetic poetry political present public world question reality reason relation scene seems sense Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee themes things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural values whole Wilson Knight words