SOME SHAKESPEAREAN THEMES AND AN APPROACH TO HAMLET1960 |
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Pagina 95
... centre of the whirlpool lies the obsession with guilt and punishment . What constitutes the torture - Lear's ' wheel of fire ' -is that each successive attitude , bearing the stamp of its utter inadequacy , can only breed recoil and a ...
... centre of the whirlpool lies the obsession with guilt and punishment . What constitutes the torture - Lear's ' wheel of fire ' -is that each successive attitude , bearing the stamp of its utter inadequacy , can only breed recoil and a ...
Pagina 108
... centre of the action is the complete endorsement of a particular quality of being . We may call it love so long as we remember that it is not simply an emotion , and that , although deeply personal , it has also the impersonality that ...
... centre of the action is the complete endorsement of a particular quality of being . We may call it love so long as we remember that it is not simply an emotion , and that , although deeply personal , it has also the impersonality that ...
Pagina 134
... centre , rational , clear - sighted and deeply responsive to all human claims . We touch here on what is only at first sight a paradox . It is because , in the later plays , judgment is made from a personal centre , in the light of ...
... centre , rational , clear - sighted and deeply responsive to all human claims . We touch here on what is only at first sight a paradox . It is because , in the later plays , judgment is made from a personal centre , in the light of ...
Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
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Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action Antony Antony and Cleopatra Apemantus appearance attitudes aware C. S. Lewis centre character Cleopatra concern consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay essential evil evoked experience explicit F. R. Leavis fact Falstaff feel Fool force Ghost give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence judgment kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman meaning mind moral murder nature ness night Ophelia Othello passage passion pattern philosophy phrase play play's poet poetic poetry political present public world question reality reason relation scene seems sense Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee themes things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural values whole Wilson Knight words