SOME SHAKESPEAREAN THEMES AND AN APPROACH TO HAMLET |
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Pagina 3
But from time to time major shifts of attention occur , and not the least significant and fruitful of these is the one that has taken place in our own time , and that scholars and critics of very different kinds have helped to bring ...
But from time to time major shifts of attention occur , and not the least significant and fruitful of these is the one that has taken place in our own time , and that scholars and critics of very different kinds have helped to bring ...
Pagina 71
But I do not think anyone can make a determined effort to bring to a single focus the various senses of the last two and a half lines without experiencing directly the dizzy bewilderment whose causes they seem simply to describe .
But I do not think anyone can make a determined effort to bring to a single focus the various senses of the last two and a half lines without experiencing directly the dizzy bewilderment whose causes they seem simply to describe .
Pagina 153
... more than with any other play , critics are in danger of finding reflected what they bring with them to the task of interpretation , so difficult is it , once you are in the play , to be sure of the right direction .
... more than with any other play , critics are in danger of finding reflected what they bring with them to the task of interpretation , so difficult is it , once you are in the play , to be sure of the right direction .
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Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
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Alte ediții - Afișează-le pe toate
Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action Antony Antony and Cleopatra Apemantus appearance attitudes aware C. S. Lewis centre character Cleopatra concern consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay essential evil evoked experience explicit F. R. Leavis fact Falstaff feel Fool force Ghost give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence judgment kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman meaning mind moral murder nature ness night Ophelia Othello passage passion pattern philosophy phrase play play's poet poetic poetry political present public world question reality reason relation scene seems sense Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee themes things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural values whole Wilson Knight words