SOME SHAKESPEAREAN THEMES AND AN APPROACH TO HAMLET1960 |
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Pagina 85
... brings into the play conceptions of Nature and human nature , radically opposed to the traditional conceptions , that ... bring to a focus far wider issues . Lear goes mad because he is a mind in conflict ; because his conscious view of ...
... brings into the play conceptions of Nature and human nature , radically opposed to the traditional conceptions , that ... bring to a focus far wider issues . Lear goes mad because he is a mind in conflict ; because his conscious view of ...
Pagina 90
... brings home with superb force it is that neither man's reason nor his powers of perception function in isolation ... bringing into our consciousness more than can be described in objective terms of what Lear sees and suffers . Lear's ...
... brings home with superb force it is that neither man's reason nor his powers of perception function in isolation ... bringing into our consciousness more than can be described in objective terms of what Lear sees and suffers . Lear's ...
Pagina 134
... bringing to bear of a sense of life as rich and generous as it is clear - eyed and not to be deceived . My second ... brings close and makes vivid , and of any mode of being it asks only one question , -Does this , when most fully ...
... bringing to bear of a sense of life as rich and generous as it is clear - eyed and not to be deceived . My second ... brings close and makes vivid , and of any mode of being it asks only one question , -Does this , when most fully ...
Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
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Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action Antony Antony and Cleopatra Apemantus appearance attitudes aware C. S. Lewis centre character Cleopatra concern consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay essential evil evoked experience explicit F. R. Leavis fact Falstaff feel Fool force Ghost give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence judgment kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman meaning mind moral murder nature ness night Ophelia Othello passage passion pattern philosophy phrase play play's poet poetic poetry political present public world question reality reason relation scene seems sense Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee themes things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural values whole Wilson Knight words