SOME SHAKESPEAREAN THEMES AND AN APPROACH TO HAMLET1960 |
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... aware of connexions even within a limited area is not only to get fresh insight into the development of Shakespeare's thought as a whole , it is to deepen our understanding of the individual plays . The charge that my selection of ...
... aware of connexions even within a limited area is not only to get fresh insight into the development of Shakespeare's thought as a whole , it is to deepen our understanding of the individual plays . The charge that my selection of ...
Pagina 135
... aware in the Egyptian scenes . We do not need any Roman prompting to be aware of something cloying in the sexual insistence ( in the opening of 1. ii , for example ) , and of something practised in ( to borrow a phrase from North ) the ...
... aware in the Egyptian scenes . We do not need any Roman prompting to be aware of something cloying in the sexual insistence ( in the opening of 1. ii , for example ) , and of something practised in ( to borrow a phrase from North ) the ...
Pagina 141
... aware of the simplifying effect of war ; but with the return of peace internal strain promptly reasserts itself . Coriolanus's behaviour in seeking the consulship brings the conflict to a head . No summary account can do justice to the ...
... aware of the simplifying effect of war ; but with the return of peace internal strain promptly reasserts itself . Coriolanus's behaviour in seeking the consulship brings the conflict to a head . No summary account can do justice to the ...
Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
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Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action Antony Antony and Cleopatra Apemantus appearance attitudes aware C. S. Lewis centre character Cleopatra concern consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay essential evil evoked experience explicit F. R. Leavis fact Falstaff feel Fool force Ghost give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence judgment kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman meaning mind moral murder nature ness night Ophelia Othello passage passion pattern philosophy phrase play play's poet poetic poetry political present public world question reality reason relation scene seems sense Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee themes things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural values whole Wilson Knight words