SOME SHAKESPEAREAN THEMES AND AN APPROACH TO HAMLET1960 |
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Pagina 90
... attitudes with which he confronts experience . There is , of course no straight line of progress : there are developments , eddies and recessions , as the tumultuous feelings whirl into sight now one , now another aspect of what lies ...
... attitudes with which he confronts experience . There is , of course no straight line of progress : there are developments , eddies and recessions , as the tumultuous feelings whirl into sight now one , now another aspect of what lies ...
Pagina 95
... attitudes previously concealed from himself , though , as we have seen , rather more than glimpsed by the audience ... attitude , bearing the stamp of its utter inadequacy , can only breed recoil and a fresh plunge into madness ...
... attitudes previously concealed from himself , though , as we have seen , rather more than glimpsed by the audience ... attitude , bearing the stamp of its utter inadequacy , can only breed recoil and a fresh plunge into madness ...
Pagina 194
... attitudes , and I think it is obvious that strong , unfrightened and affirmative attitudes to death can only exist as part of strong , unfrightened and affirmative attitudes to living . We could cite the superb closing pages of the ...
... attitudes , and I think it is obvious that strong , unfrightened and affirmative attitudes to death can only exist as part of strong , unfrightened and affirmative attitudes to living . We could cite the superb closing pages of the ...
Cuprins
On Some Contemporary Trends in Shakespeare | 3 |
First Observations | 16 |
The Sonnets and King Henry | 35 |
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Alte ediții - Afișează-le pe toate
Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action Antony Antony and Cleopatra Apemantus appearance attitudes aware C. S. Lewis centre character Cleopatra concern consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay essential evil evoked experience explicit F. R. Leavis fact Falstaff feel Fool force Ghost give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence irony judgment kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman meaning mind moral murder nature ness night Ophelia Othello passage passion philosophy phrase play play's poet poetic poetry political present public world question reality reason relation scene seems sense Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee themes things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural values whole Wilson Knight words