SOME SHAKESPEAREAN THEMES AND AN APPROACH TO HAMLET |
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Pagina 90
Lear's dominant attitude is obviously self - will ; his sentences fall naturally into the imperative mood , his commands are threats , and his threats are curses . When crossed by Goneril he invokes Nature - Edmund's goddess -to enforce ...
Lear's dominant attitude is obviously self - will ; his sentences fall naturally into the imperative mood , his commands are threats , and his threats are curses . When crossed by Goneril he invokes Nature - Edmund's goddess -to enforce ...
Pagina 95
the world as Lear and which has proved so woefully inadequate under stress , he is free to express attitudes previously concealed from himself , though , as we have seen , rather more than glimpsed by the audience .
the world as Lear and which has proved so woefully inadequate under stress , he is free to express attitudes previously concealed from himself , though , as we have seen , rather more than glimpsed by the audience .
Pagina 194
There is of course an instinctive recoil from dying , expressed magnificently by Shakespeare in Claudio's outburst - ' Aye , but to die , and go we know not where ' - in Measure for Measure ; but we are speaking now of settled attitudes ...
There is of course an instinctive recoil from dying , expressed magnificently by Shakespeare in Claudio's outburst - ' Aye , but to die , and go we know not where ' - in Measure for Measure ; but we are speaking now of settled attitudes ...
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Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
Drept de autor | |
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Alte ediții - Afișează-le pe toate
Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action Antony Antony and Cleopatra Apemantus appearance attitudes aware C. S. Lewis centre character Cleopatra concern consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay essential evil evoked experience explicit F. R. Leavis fact Falstaff feel Fool force Ghost give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence judgment kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman meaning mind moral murder nature ness night Ophelia Othello passage passion pattern philosophy phrase play play's poet poetic poetry political present public world question reality reason relation scene seems sense Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee themes things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural values whole Wilson Knight words