SOME SHAKESPEAREAN THEMES AND AN APPROACH TO HAMLET1960 |
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Pagina 5
... attempt to find more in it is to stray into ' the wasteland of paradox , ambiguity , and esoteric symbolism . ' If we feel that observations such as these are not critically useful , that they are blurred and out of focus , how can we ...
... attempt to find more in it is to stray into ' the wasteland of paradox , ambiguity , and esoteric symbolism . ' If we feel that observations such as these are not critically useful , that they are blurred and out of focus , how can we ...
Pagina 128
... attempt to ' make strong themselves by ill ' , yet each further step is as ' tedious ' ( Macbeth's word ) and self - frustrating as the last . And the concomitant of the outer disorder and inner disintegration ( with both of which ...
... attempt to ' make strong themselves by ill ' , yet each further step is as ' tedious ' ( Macbeth's word ) and self - frustrating as the last . And the concomitant of the outer disorder and inner disintegration ( with both of which ...
Pagina 215
... attempt to give an exact paraphrase we run into difficulties . At this point we may resort to Dr Johnson , whose note on the passage begins : Of this celebrated soliloquy , which bursting from a man distracted with contrariety of ...
... attempt to give an exact paraphrase we run into difficulties . At this point we may resort to Dr Johnson , whose note on the passage begins : Of this celebrated soliloquy , which bursting from a man distracted with contrariety of ...
Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
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Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action Antony Antony and Cleopatra Apemantus appearance attitudes aware C. S. Lewis centre character Cleopatra concern consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay essential evil evoked experience explicit F. R. Leavis fact Falstaff feel Fool force Ghost give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence judgment kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman meaning mind moral murder nature ness night Ophelia Othello passage passion pattern philosophy phrase play play's poet poetic poetry political present public world question reality reason relation scene seems sense Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee themes things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural values whole Wilson Knight words