SOME SHAKESPEAREAN THEMES AND AN APPROACH TO HAMLET1960 |
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Pagina 55
... aspects of time's action . With appearance and reality because the mere passage of time -whose million'd accidents Creep in ' twixt vows , and change decrees of kings- reveals different aspects of the world we thought we knew [ 1 ] ...
... aspects of time's action . With appearance and reality because the mere passage of time -whose million'd accidents Creep in ' twixt vows , and change decrees of kings- reveals different aspects of the world we thought we knew [ 1 ] ...
Pagina 72
... aspects of a single situation ' . My own feeling is that the play takes us further than that . The most powerful imaginative effect is of bewilderment , ambiguity , of being in the labyrinth . But we have also seen that implicit in the ...
... aspects of a single situation ' . My own feeling is that the play takes us further than that . The most powerful imaginative effect is of bewilderment , ambiguity , of being in the labyrinth . But we have also seen that implicit in the ...
Pagina 99
... aspects , too bad- to be anything but bewildering . His sharply realistic , commonplace instances - like Tom's mad talk , though with a different tone - insist on the alien aspect of Nature and on all that detracts from man's sense of ...
... aspects , too bad- to be anything but bewildering . His sharply realistic , commonplace instances - like Tom's mad talk , though with a different tone - insist on the alien aspect of Nature and on all that detracts from man's sense of ...
Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
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Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action Antony Antony and Cleopatra Apemantus appearance attitudes aware C. S. Lewis centre character Cleopatra concern consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay essential evil evoked experience explicit F. R. Leavis fact Falstaff feel Fool force Ghost give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence judgment kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman meaning mind moral murder nature ness night Ophelia Othello passage passion pattern philosophy phrase play play's poet poetic poetry political present public world question reality reason relation scene seems sense Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee themes things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural values whole Wilson Knight words